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Coventry & The 2 Tone Movement (1979 - 1986)

Coventry & The 2 Tone Movement (1979 - 1986)

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"Britain was falling apart," Jerry Dammers said of the period that produced Ghost Town, describing a country of factory closures and unrest that runs through nearly everything 2 Tone made. Horace Panter, the Specials' bassist, put Coventry itself more bluntly: "the Detroit of England." This print compiles the complete UK discography released between 1979 and 1986 by the label Dammers founded in that city, documenting the bands, The Specials, Madness, The Beat, The Selecter, The Bodysnatchers and others, who built a genuinely mixed-race scene out of ska revival and punk energy at a moment when Britain badly needed one.

As Don Letts put it, "Jamaican music gave British punk its distinct identity," and 2 Tone is where that influence became most explicit: a label that used a shared visual identity (the black-and-white checkerboard, the Walt Jabsco logo) and a genuinely integrated lineup to make a political statement that didn't need to be stated outright.

Specs

  • Hand-signed by Alejandro De Luna
  • Sold unframed, ready to frame yourself
  • Size A1 (59.4 x 84.1 cm / 23.4 x 33.1 inches)
  • Printed on premium quality paper, produced in small batches

About The Sense of Doubt
I'm Alejandro De Luna, the creator behind The Sense of Doubt, making wall art inspired by music, pop culture, and heritage. What began as a way to make sense of the records, places, and stories that shaped my life has grown into a visual archive that connects moods, history, and art. Every print is researched, designed and hand-signed by me.

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The Scottish Sound: Key Records (1978-1999) - detail view, print 2

Who’s Behind The Sense of Doubt ?

I’m Alejandro De Luna, the creator behind The Sense of Doubt; a solo studio in Madrid making wall art inspired by music, pop culture, and heritage. What began as a way to make sense of the records, places, and stories that shaped my life has grown into a visual archive that connects moods, history, and art.

I research, design, and hand-sign every piece myself in small batches, and today more than 10,000 art lovers in over 20 countries have my prints on their walls. People describe the work as “brilliantly researched,” “put together with great care,” and “a true labour of love.” That’s exactly what it is; no shortcuts, just me doing the work because I love it.

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