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John Peel's Record Box - His 142 Favourite 45s

John Peel's Record Box - His 142 Favourite 45s

Regular price €35 EUR
Regular price Sale price €35 EUR
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John Peel kept a small wooden box holding 142 of his favourite and most meaningful singles, a collection that ranged from Charlie Feathers to The White Stripes and said as much about his taste as any of his radio shows. This print compiles and organises every one of them, designed in the style of the 60s music chart listings that ran in British music newspapers, sorted by decade so the shift in Peel's taste across his career is visible at a glance.

What makes the collection worth mapping isn't just its range, pop, blues, reggae, electronica, punk, post-punk, indie, and plenty of genuinely obscure records, but what it says about Peel himself: a broadcaster whose influence came less from any single sound he championed than from his refusal to stick to one.

Specs

  • Hand-signed by Alejandro De Luna
  • Size A3 (29.7 x 42 cm / 11.7 x 16.5 inches)
  • Available framed and unframed
  • Printed on high-quality archival paper for exceptional colour vibrancy and longevity

About The Sense of Doubt
I'm Alejandro De Luna, the creator behind The Sense of Doubt, making wall art inspired by music, pop culture, and heritage. What began as a way to make sense of the records, places, and stories that shaped my life has grown into a visual archive that connects moods, history, and art. Every print is researched, designed and hand-signed by me.

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The Scottish Sound: Key Records (1978-1999) - detail view, print 2

Who’s Behind The Sense of Doubt ?

I’m Alejandro De Luna, the creator behind The Sense of Doubt; a solo studio in Madrid making wall art inspired by music, pop culture, and heritage. What began as a way to make sense of the records, places, and stories that shaped my life has grown into a visual archive that connects moods, history, and art.

I research, design, and hand-sign every piece myself in small batches, and today more than 10,000 art lovers in over 20 countries have my prints on their walls. People describe the work as “brilliantly researched,” “put together with great care,” and “a true labour of love.” That’s exactly what it is; no shortcuts, just me doing the work because I love it.

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