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Sheffield in 72 Records - Electronic Pop to Indie

Sheffield in 72 Records - Electronic Pop to Indie

Regular price €45 EUR
Regular price Sale price €45 EUR
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Seventy-two key records, chronologically compiled, tracing Sheffield's music history from Cabaret Voltaire's confrontational early recordings and The Human League's "Being Boiled," a track so far ahead of its time it initially baffled more people than it converted, through to the city's 90s and mid-2000s commercial breakthroughs. The print documents Sheffield's less celebrated but genuinely important post-punk and electronic underground: Artery, 2.3, In the Nursery, and Richard H. Kirk's prolific, restlessly experimental solo work alongside his Cabaret Voltaire output.

ABC and Heaven 17 (via the related British Electric Foundation project) represent Sheffield's more commercially successful synth-pop wing, proof the city's electronic scene could produce both confrontational art music and genuine pop hits from largely the same pool of musicians. Sweet Exorcist's early techno experiments, The Comsat Angels' underrated post-punk catalogue, and Chakk's brief but influential run round out the picture, before Longpigs carry the story into the Britpop era that eventually gave Sheffield its Arctic Monkeys-driven 2000s moment.

Specs

  • Hand-signed by Alejandro De Luna
  • Size A2 (42 x 59.4 cm / 16,5 x 23,4 inches)
  • Sold unframed, ready to frame yourself
  • Printed on premium quality paper, produced in small batches

About The Sense of Doubt
I'm Alejandro De Luna, the creator behind The Sense of Doubt, making wall art inspired by music, pop culture, and heritage. What began as a way to make sense of the records, places, and stories that shaped my life has grown into a visual archive that connects moods, history, and art. Every print is researched, designed and hand-signed by me.

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Who’s Behind The Sense of Doubt ?

I’m Alejandro De Luna, the creator behind The Sense of Doubt; a solo studio in Madrid making wall art inspired by music, pop culture, and heritage. What began as a way to make sense of the records, places, and stories that shaped my life has grown into a visual archive that connects moods, history, and art.

I research, design, and hand-sign every piece myself in small batches, and today more than 10,000 art lovers in over 20 countries have my prints on their walls. People describe the work as “brilliantly researched,” “put together with great care,” and “a true labour of love.” That’s exactly what it is; no shortcuts, just me doing the work because I love it.

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