British Post-Punk — Essential Records (1978–1982) (A2 Print)
British Post-Punk — Essential Records (1978–1982) (A2 Print)
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A visual map of the essential records that defined British post-punk between 1978 and 1982.
Organised by label, chronology, and influence—tracing the evolution of one of the most important movements in modern music.
- 70+ essential post-punk releases (1978–1982)
- Organised by label ecosystems and chronology
- Visual connections between artists and scenes
- A2 large-format print
Overview
A structured visual overview of British post-punk through its most defining releases.
Rather than a conventional list, this print maps the records that shaped the movement—highlighting how artists, labels, and ideas intersected during a short but highly influential period.
From early experimental releases to more developed post-punk and new wave sounds, the design captures a scene constantly redefining itself.
Included Records (Selection)
The print features a curated selection of essential releases, including:
- Joy Division — An Ideal for Living, Unknown Pleasures, Closer, Love Will Tear Us Apart
- Magazine — Real Life
- Gang of Four — Entertainment!
- The Slits — Cut
- Public Image Ltd. — Metal Box
- Siouxsie and the Banshees — The Scream, Juju
- Wire — 154
- The Fall — Dragnet
- The Pop Group — Y
- Cabaret Voltaire — Nag Nag Nag
- Magazine — Real Life
- Bauhaus — Bela Lugosi’s Dead
- The Cure — Seventeen Seconds, Faith, Pornography
- Throbbing Gristle — D.O.A
- The Normal — T.V.O.D. / Warm Leatherette
- Echo & the Bunnymen — Crocodiles
- New Order — Ceremony
Why this period matters
Between 1978 and 1982, post-punk became one of the most innovative periods in British music.
Emerging from the aftermath of punk, artists explored new structures, production techniques, and aesthetics—laying the groundwork for alternative, electronic, and independent music for decades to come.
This print captures that moment of transition—where experimentation became influence.
About the Design
This project was independently researched and designed by Alejandro De Luna.
Developed through an in-depth study of records, labels, and the wider post-punk landscape, the print is intended as a structured visual reference—bringing clarity to a complex and highly interconnected movement.
Specifications
- Size: A2 (42 × 59.4 cm)
- High-quality matte paper
- Printed in small batches
- Designed and hand-signed by Alejandro De Luna

Artwork Specs
Print sizes
Print Sizes
A3 – 29.7 × 42 cm (11.7 × 16.5 in)
A2 – 42 × 59.4 cm (16.5 × 23.4 in)
A1 – 59.4 × 84.1 cm (23.4 × 33.1 in)
Shipping Info
Tracked UK & EU Shipping: 3–7 days
Tracked USA & Canada Shipping: 7–14 days
Shipping to the United Kingdom:
UK orders may incur import VAT and courier handling fees payable by the recipient. These charges are determined by UK customs and the carrier and are not included in the prices unless explicitly stated at checkout.
About the prints
– Researched, curated, designed and hand-signed by Alejandro De Luna
– Printed on 170gsm premium matte art paper
Returns & Exchanges
– If you're not completely happy with your print, you can return it within 14 days of delivery
– Print must be returned in original condition and packaging
– Custom or commissioned prints are non-refundable
– To start a return, email shop@thesenseofdoubt.com with your order number
– Refunds are processed once the print is received and inspected
Who’s Behind The Sense of Doubt ?
I’m Alejandro De Luna, the creator behind The Sense of Doubt; a solo studio in Madrid making wall art inspired by music, pop culture, and heritage. What began as a way to make sense of the records, places, and stories that shaped my life has grown into a visual archive that connects moods, history, and art.
I research, design, and hand-sign every piece myself in small batches, and today more than 10,000 art lovers in over 20 countries have my prints on their walls. People describe the work as “brilliantly researched,” “put together with great care,” and “a true labour of love.” That’s exactly what it is; no shortcuts, just me doing the work because I love it.
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